The unknown Ted Lewis

Joined: March 15th, 2018, 6:05 am

July 14th, 2018, 6:48 am #1

I do not take this responsibility lightly.  (Forgive me for the length. I would have shortened it but where to begin? Where to end? Where to middle, for that matter? I was unable to neglect "Me and My Darkness" or Lewis's triumph at the Package Kat Membership in London. or "his capture expression" --  “Is certainly everybody content?” Just asI thought I can take no more of this, I learned "the fantastic Depression was completely golf swing.") 

There IS a source -- https://musicianbio.org/ted-lewis/

It’s difficult to trust, predicated on a paltry couple of cds of Ted Lewis’ music which exist, that right from the start from the ’20s before mid-’30s, he was perhaps one of the most popular music works on earth, cutting million-selling information when those scarcely happened more often than once per year. It’s also harder to grasp that Lewis taken care of an active documenting, radio, movie, tv, and concert profession for 50 years, 1917 to 1967, and liked respect from people from the jazz community which was unique to get a leader of the dance music group. Ted Lewis was under no circumstances considered an excellent, or perhaps a great jazz participant — though he was an improved participant than he got credit to be — and wasn’t used seriously like a vocalist, nor was a lot of the music that he documented considered great jazz. For some from the ’20s, his biggest 10 years for record product sales, he preferred dance and novelty figures that today evoke the zanier part from the period. Even his capture expression — “Is certainly everybody content?” — appeared, by the finish of ’30s, to be always a quaint echo from the so-called Roaring Twenties. He was a body like Paul Whiteman, but even more of a musician, and he also resembled Al Jolson, being a personality just as much as musician. Lewis also utilized an extraordinary selection of talented music artists and even several upcoming legends — the guys who handed down through the rates of his music group included Benny Goodman, Jack port Teagarden, Muggsy Spanier, Jimmy Dorsey, Frank Teschemacher and George Brunies, and also Fats Waller do a turn using the music group.

Delivered Theodore Leopold Friedman in Circleville, Ohio, in 1890 (some resources state 1892), he was the boy of who owns a large clothes emporium. His parents hoped he’d get into business, however the more youthful Friedman, towards the horror of his parents, was an indifferent college student, and, worse still, was attracted to the life of the performer. Everything began when he found out the circus like a young man, and by enough time he was in his teenagers, he previously some definite suggestions about showmanship, and experienced obtained some above-average fundamental musicianship using the clarinet. A stint running a business college did nothing to create him neglect an entertainment profession. By 1906, at age group 16, he’d started employed in vaudeville, playing tent displays as well as other bottom-of-the-bill engagements, and steadily built a popularity for himself. His name modification came about via an incident involving his collaboration having a fellow called Lewis — an erroneous marquee billing as “Lewis and Lewis” appeared an omen, and he held the brand new name enforced on him. Ted Lewis labored in comparative anonymity for some from the ’10s, actually after arriving in NY. He place his first music group — a five-piece known as Ted Lewis & His Nut Music group — collectively in 1916, in the beginning within a comedy action. By 1917, he was playing within a music group led by pianist Earl Fuller, and fate performed a hand using the entrance of the initial Dixieland Jazz Music group in NY. Suddenly, not merely was Lewis opened up to a fresh make of music, but a fresh opportunity provided itself. The achievement of the initial Dixieland Jazz Music group in a cafe known as Reisenweber’s changed the last mentioned into the spot to end up being. By sheer good luck, Lewis, within Fuller’s music group, was hired by way of a rival location, Rector’s, to greatly help restore the clients. It proved that he not merely cherished Dixieland jazz, but that, for most of his restrictions like a vocalist, he was interesting in that part, even more therefore than as a comedian. Both final elements to his brand-new persona had been his distinctive best hat — apparently won within a bet using a carriage drivers — as well as the catch-phrase, “Is certainly everybody content?” He started posing it to his market at Rector’s, and it trapped — so when Lewis and his music group (and he shortly experienced his own music group) had been playing, the solution was a resounding “Yes!” 50 years later on, he was still putting on the top head wear and requesting the question. Quickly, Lewis hadn’t only a fresh music group of his personal but he’d also opened up his own golf club. By 1919, he was on his method — he made an appearance within the Greenwich Town Follies, actually financed a creation, Ted Lewis’ Follies, which failed and price him a lot of what he’d produced, and he performed in productions just like the Ziegfeld Midnight Follies and made an appearance within the revue, Performers and Versions. Lewis was agreed upon to Columbia Information, not the giant it had been to become but nonetheless a significant label, in 1919, and released his 1st solitary, “Wond’ring” b/w “Blues My Naughty Sweety Provides Me,” in Oct of that yr. The following yr, he released and produced the to begin many recordings of “When My Baby Smiles at Me,” which became Lewis’ theme music.

By the middle-’20s, he was among Columbia’s top-selling performers and one from the world’s best entertainers and bandleaders. Although Lewis frequently took the part of vocalist himself, mixing his mournful tone of voice with a nice personality, there have been some significant exceptions — Ruth Etting slice edges with him, as do Fat Waller, and in 1926, with Sophie Tucker as vocalist, Lewis experienced probably one of the most well-known records of the entire year, “A few of these Times,” which became a million vendor. A tour of European countries, including engagements on the Hippodrome as well as the Package Kat Membership in London, solidified his position internationally, as well as the music group played every one of the best venues in European countries on a following tour. By the finish from the ’20s, Lewis was therefore well-known and unique a musical character that Columbia devised a personalized label style for him, as well as the silhouette from the bandleader in his best hat right now embossed his information. In Dec of 1929, he agreed upon a new agreement using the label guaranteeing him $42,000 and also a royalties on each record pressed, every year for just two years. It appeared a good deal to Columbia, for these were obtaining a great music group and a well-known one. In 1928, Lewis added ex-New Orleans Tempo Kings trombonist George Brunies to his music group, and early the next year, trumpet guy Muggsy Spanier emerged aboard. Their rates had been soon swelled with the appearance of Don Murray, the scorching youthful clarinetist and saxman through the Jean Goldkette music group, whose solos offered the Lewis music group a new degree of elegance and virtuosity. Lewis acknowledged the power of males like Spanier, Brunies, and Murray, and paid his presented soloists well and do his better to maintain them happy; for the reason that respect, he was an excellent bandleader using what ended up being a great music group. Section of his top secret was that he known his own restrictions, but hardly ever allow them limit him. Lewis himself performed clarinet in that which was also known as “gaspipe” design, overblowing and developing a shrill firmness which was very helpful on novelty music but frowned on by most players generally in most additional configurations (though as Rob Bamberger highlights in his superb article on Lewis, the fingering and control involved with effective “gaspipe” clarinet was just like daunting as any longer standard method of the device).

He was hardly ever reticent to generate better players, nevertheless, and Murray was just the first within a string of clarinetists who have already been the envy of several rival bandleaders. The lineup of the group was shaken by Murray’s tragic loss of life in June of 1929, in a vehicle accident. At that time, the music group was capturing their 1st film, Is definitely Everybody Happy?, a fictionalized retelling of Lewis’ existence tale, for Warner Bros. (which had go to Lewis searching for a musical character to film, in quite similar manner it had go to Jolson for The Jazz Vocalist in 1927). He quickly recruited a Chicago-based participant, Frank Teschemacher, who was simply heavily influenced with the cornet playing of Bix Beiderbecke. Lewis, and Teschemacher (who also passed away in an car accident) became close friends, but the last mentioned, although ready to record using the music group, begged from the group’s travels. His substitute was Jimmy Dorsey, who was simply already a broadly idolized clarinetist. Dorsey not merely energized the complete music group, but proved among the attractions for the band’s 1930 tour of European countries. By then, these were among the best bands in the united states, and their music was at its top — their 1930 edges, including “Sobbin’ Blues, Pts. 1-2” and “Aunt Hagar’s Blues,” had been appealing and well-known, and they had been attracting a whole lot of jazz listeners because of Dorsey et al. It had been all going nearly as well well, and in unusual turn of occasions, Lewis split up the music group currently, announcing his pension in 1930. By 1931, nevertheless, he was back the business enterprise, for reasons which were under no circumstances very clear — he’d apparently produced plenty of money to reside comfortably for the others of his lifestyle, although with the country’s finances worsening monthly, that may have transformed. Additionally, Columbia quite definitely wanted him back again. The Lewis music group was regrouped with several adjustments — Dorsey, who couldn’t abide Lewis’ very own reed playing, was over, however in his place was a encouraging unknown called Benny Goodman.

Alas, Lewis’ information out of this period, although they presented superb playing, didn’t sell just how his ’20s edges experienced — the fantastic Depression was completely golf swing, and few information were consistently getting the product sales they deserved, because the financial upheaval pass on to just about any part of America. Lewis agreement with Columbia finished in 1933, and he agreed upon with Decca Information. Lewis was to never appreciate anything like his outdated success, nevertheless — the golf swing period got started, heralded by Benny Goodman’s very own music group, and his make of Dixieland-based novelty figures no more commanded huge product sales. He remained a favorite personality, nevertheless, and his music was usually attractive and energetic, even though it didn’t golf swing. (Certainly, Bamberger discovers a delicate and peculiarly cultural element of Lewis’ music, with components of klezmer in his playing). Lewis was also a grasp showman just as much as a musician. In crisis, his catch term, “Is usually everybody content?,” didn’t appear out-of-place — it had been encouragement to take pleasure from the music, and there is too much to appreciate. Lewis do radio, like the Valspar Paint Plan as well as the Merritt Beer Plan — as past due as 1945, he was highlighted in the Coca Cola Limelight present — and he might have created his ticket around the airwaves, but he by no means loved radio. Like a vaudeville-based performer, his was a visible and a musical take action — the physical existence, the top head wear, the items of visible humor and dance had been as important because the music, from his viewpoint. Indeed, one of is own most memorable parts was “Me and My Darkness,” where he danced on-stage along with his spotlight-generated darkness — ultimately a dancer was put into duet with Lewis’ darkness on-stage. Lewis’ minute like a taste-maker experienced approved, but he by no means lost his target audience. They might’ve been frantic to find out Benny Goodman, but they’d usually pay to find out Lewis, and also Goodman was recognized to stop by for shows by his outdated employer merely to appreciate his function. Lewis continued to try out the top night clubs in the us and European countries before the battle, earning a lot of money and best billing wherever he performed, and produced specialty looks in movies like Keep That Ghost (starring Abbott & Costello) — in 1943, years after Lewis’ last big-selling record, Columbia Photos actually remade Is definitely Everybody Content? As past due as 1950, he still documented for Decca (“My Blue Heaven,” “Blue Skies,” etc.), though this wasn’t a significant or serious work, nor had been the dance edges he trim for the short-lived RKO label in the past due ’50s. Concert function was what interested Lewis, and he got that, plus periodic appearances on tv, correct up to the finish from the ’60s in the country’s biggest resorts and resorts. He performed his last display, still wearing the very best hat, in the Desert Inn in NEVADA in 1967, 50 years after he ventured in to the music business. Ted Lewis was nearly — however, not quite — even more of a character when compared to a musician. Using one level he was like Al Jolson, but with a far more genial and low-key character, a clarinet in the ready, along with a handpicked music group behind him; but he was also much less and a lot more than that. Unlike Jolson, he previously no tone of voice to talk about, yet people liked hearing him chat his method through lyrics, nearly such as a rapper; he wasn’t an excellent musician, but he employed great types and allow them perform their work the direction they enjoyed; he also got a experience for blues, to guage from his use Fat Waller on “Dallas Blues” and “Royal Backyard Blues.” Actually by the end from the 20th hundred years, you can’t really pay attention to Lewis’ greatest work rather than smile, amid the desire to dance also to giggle — Lewis’ music still makes viewers response “Yes!” to his issue “Can be everybody content?”
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Joined: March 16th, 2018, 10:44 am

July 14th, 2018, 11:01 am #2

Found the appalling grammar and syntax difficult to wade through, let along the errors of fact. Written  by a semi-literate or a poor translation.  Wasn't Ted's signing off phrase 'Is everybody happy?'   
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Joined: March 16th, 2018, 8:41 am

July 14th, 2018, 3:56 pm #3

“Is certainly everybody content?” (a.k.a. "Is Definitely Everybody Content?") - what a wonderful mistranslation of "Is Everybody Happy?", especially when we learn that Ted "started posing it to his market at Rector’s, and it trapped - 50 years later on, he was still putting on the top head wear and requesting the question."  Yessir!

The "Package Kat Membership" for the Kit-Cat Club is also priceless!
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Joined: January 1st, 1970, 12:00 am

July 14th, 2018, 7:24 pm #4

This one is even worse:  https://musicianbio.org/bix-beiderbecke/

 “Within a Mist”!!!!
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Joined: March 16th, 2018, 8:41 am

July 14th, 2018, 8:58 pm #5

https://musicianbio.org/bix-beiderbecke/

"With Whiteman, Beiderbecke’s solos tended to become short occasions of magic, occasionally in odd configurations; his amazing chorus on “Nice Sue” is an ideal example."
 

To misquote British comedian Eric Morecambe's infamous comment to Andre Previn (or should I say "Andre Preview"), this is a case of "All the right words – just not necessarily in the right order":-





Incidentally, there are only two steps between Andre Previn and Bix!
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Joined: March 15th, 2018, 6:05 am

July 15th, 2018, 12:14 am #6

Am I the only one who's never seen Bix's movie "Fred the Hairdresser"?
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Joined: March 16th, 2018, 8:41 am

July 15th, 2018, 7:49 am #7

"Fred the Hairdresser"



Don't ask me why Singin' The Blues is used!
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Joined: March 15th, 2018, 4:56 pm

July 18th, 2018, 12:47 am #8

Is this another Korean 'research' paper?
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